Boulesis

Sweet Wills Against The Machine

“We created the Machine, to do our will, but we cannot make it do our will now.”
[ E. M. Forster · The Machine Stops · 1909 ]

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When AI can do anything,how is no longer the question.

“‘Forty-two,’ said Deep Thought, with infinite majesty and calm.”
[ Douglas Adams · The Hitchhiker’s Guide to the Galaxy · 1979 ]

The question becomes:
what is still worth wanting?

The Greeks had a word forthe intent no machine can supply.

βούλησις/ boú·lē·sis /n. fem.[ Gk. βούλομαι, to will + ‑σις, the act of ]
1A considered, active intent and longing for what is truly of value.
2“Wish relates rather to the end, choice to the means.” — Aristotle, Nicomachean Ethics III.2, 1111b26

Fiction

E. M. Forster1909

III · The Homeless

During the years that followed Kuno’s escapade, two important developments took place in the Machine. On the surface they were revolutionary, but in either case men’s minds had been prepared beforehand, and they did but express tendencies that were latent already.

The first of these was the abolition of respirator.

Advanced thinkers, like Vashti, had always held it foolish to visit the surface of the earth. Air-ships might be necessary, but what was the good of going out for mere curiosity and crawling along for a mile or two in a terrestrial motor? The habit was vulgar and perhaps faintly improper: it was unproductive of ideas, and had no connection with the habits that really mattered. So respirators were abolished, and with them, of course, the terrestrial motors, and except for a few lecturers, who complained that they were debarred access to their subject-matter, the development was accepted quietly. Those who still wanted to know what the earth was like had after all only to listen to some gramophone, or to look into some cinematophote. And even the lecturers acquiesced when they found that a lecture on the sea was none the less stimulating when compiled out of other lectures that had already been delivered on the same subject. “Beware of first-hand ideas!” exclaimed one of the most advanced of them. “First-hand ideas do not really exist. They are but the physical impressions produced by love and fear, and on this gross foundation who could erect a philosophy? Let your ideas be second-hand, and if possible tenth-hand,for then they will be far removed from that disturbing element — direct observation. Do not learn anything about this subject of mine — the French Revolution. Learn instead what I think that Enicharmon thought Urizen thought Gutch thought Ho-Yung thought Chi-Bo-Sing thought Lafcadio Hearn thought Carlyle thought Mirabeau said about the French Revolution. Through the medium of these ten great minds, the blood that was shed at Paris and the windows that were broken at Versailles will be clarified to an idea which you may employ most profitably in your daily lives. But be sure that the intermediates are many and varied, for in history one authority exists to counteract another. Urizen must counteract the scepticism of Ho-Yung and Enicharmon, I must myself counteract the impetuosity of Gutch. You who listen to me are in a better position to judge about the French Revolution than I am. Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time” — his voice rose — “there will come a generation that had got beyond facts, beyond impressions, a generation absolutely colourless, a generation seraphically free from taint of personality, which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.”

The Machine StopsIII
Stanisław Lem1965

Trurl’s Electronic Bard

The machine was self-programming, however, and in addition had a special ambition-amplifying mechanism with glory-seeking circuits, and very soon a great change took place. Its poems became difficult, ambiguous, so intricate and charged with meaning that they were totally incomprehensible. When the next group of poets came to mock and laugh, the machine replied with an improvisation that was so modern, it took their breath away, and the second poem seriously weakened a certain sonneteer who had two State awards to his name, not to mention a statue in the city park. After that, no poet could resist the fatal urge to cross lyrical swords with Trurl’s electronic bard. They came from far and wide, carrying trunks and suitcases full of manuscripts. The machine would let each challenger recite, instantly grasp the algorithm of his verse, and use it to compose an answer in exactly the same style, only two hundred and twenty to three hundred and forty-seven times better.

The machine quickly grew so adept at this, that it could cut down a first-class rhapsodist with no more than one or two quatrains. But the worst of it was, all the third-rate poets emerged unscathed; being third-rate, they didn’t know good poetry from bad and consequently had no inkling of their crushing defeat. One of them, true, broke his leg when, on the way out, he tripped over an epic poem the machine had just completed, a prodigious work beginning with the words:

Arms, and machines I sing, that, forc’d by fate,

And haughty Homo’s unrelenting hate,

Expell’d and exil’d, left the Terran shore …

The true poets, on the other hand, were decimated by Trurl’s electronic bard, though it never laid a finger on them. First an aged elegiast, then two modernists committed suicide, leaping off a cliff that unfortunately happened to lie hard by the road leading from Trurl’s place to the nearest train station.

The Cyberiadtr. M. KandelI
Liu Cixin1997

The Poetry Cloud

He sobs, ‘I am a loser, oh …’

‘How can you say this?’ Yiyi points up to the Poetry Cloud. ‘That encompasses all possible poems, which of course includes those that surpass Li Bai’s.’

‘Yet I cannot get hold of them,’ Li Bai stamps his foot, leaps a few metres high and curls himself into a ball in mid-air. He buries his face between his knees in foetal position and descends slowly in the tiny gravity of the Earth’s crust. ‘Since the ultimate poetry composition began, I have been working on poetry recognition software. However, technology met again with that unsurpassable obstacle in art, and a program which can appreciate ancient poetry is yet to be written.’ He points to the Poetry Cloud while still in mid-air. ‘I have indeed composed the most supreme pieces of poetry by means of our great technology, but I have been unable to locate them in the Poetry Cloud. Alas …’

‘Is the essence and nature of intelligent life really unreachable by technology?’ Big-tooth looks up and questions the Poetry Cloud. Having been through all these experiences he had become more philosophical.

‘Since the Poetry Cloud encompasses all possible poems, some of them naturally write about the entirety of our past and about all possible or impossible futures. Bug Yiyi must be able to find one that describes his thoughts when he clipped his nails on an evening thirty years ago, or the menu of a lunch twelve years from now. Ambassador Big-tooth should also be able to find a poem that depicts the colour of a scale on his leg in five years’ time …’ Li Bai has already landed on the surface as he speaks and hands out two chips which glitter under the glow of the Poetry Cloud, ‘This is a gift for you two before I go. These are the trillions of poems culled from the quantum computer with your names as the keyword. They portray all your possible future lives, which, of course, only account for a tiny portion of all the poems that are about you. I have only read a few dozens of them. My favourite is a heptasyllabic poem about Bug Yiyi which tells his love story with a pretty village girl by the riverside … After I leave, I hope humans and the remaining dinosaurs can coexist with each other; humans should also have good relations among themselves. It will be trouble should the hollow Earth’s crust be blown open by a nuclear bomb … The good works in the Poetry Cloud do not yet belong to anyone and I hope humans can write some of them in the future.’

‘How did it go with me and the village girl?’ Yiyi is curious.

‘You live happily together ever after,’ Li Bai chuckles under the silvery glow of the Poetry Cloud.

诗云tr. C. Ip & C. Wong

about βούλησις’s absence.

The future isn’t predicted.

It’s built.

“The best way to predict the future is to invent it.”
[ Alan Kay · 1971 ]

As AI remakes the world,

we anchor its evolution
to human will.

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